Jump, near Barnsley, in South Yorkshire is certainly an eye-catching name on a sign, and somewhat arresting when said out loud.
But locals have heard it all before…
“…you have a slight touch of onomaphobia as regards the name of our village. The name, tout court, certainly does impinge rather directly on the attention, showing that it has the “punch” or “pep” so beloved of our transatlantic cousins. By the way, the name of Jump would make the fortune of a striving burgh out West.”
Penistone, Stocksbridge and Hoyland Express, 4th April 1925, p.4
Wild West or not, in times gone by it has often been the subject of comment and even scandal:
“Jump was noted as the sport of the Press, and any sensational story was tacked onto it. Society at large thought of it with derision, and speculators gave it a wide berth.”
In what we hope will be an ongoing series of guest blogs on the site, we’re delighted to share this Creative Heritage piece, sharing the story of one of many creative ways of engaging with heritage and history, inspired by or aligned with the stories of Hemingfield Colliery.
This one brings together old and new technology as Peter Duthie shares his insights into planning, designing and fabricating 3D models of industrial electric locomotives. Peter writes:
On Saturday 17th October 2020, The Friends of Hemingfield Colliery squeezed another socially-distanced and Covid-safe session for a small number of volunteers. Working outdoors in the fresh air it was a busy day, even if it might have been the last in 2020.
Seizing another weekend of good weather and maintaining the momentum of recent weeks, the Friends and regular volunteers started early and quickly got shovelling, mixing and delivering lime mortar ready to continue rebuilding the collapsed rear retaining wall. Working safely outdoors and with focus to get the job done, the global pandemic seemed a little further away for a short while.
Another weekend, another day to catch up on some of the time lost from the initial impact of the Coronavirus pandemic. The Friends of Hemingfield Colliery have been operating on a much-reduced closed-site basis with pre-arranged and socially distanced activities being undertaken by the regular volunteers.
The weather had been touch and go in the week proceeding Saturday 29th August 2020, but the forecast suggested hopes of at least a decent morning’s worth of work without rain, leading us into a very different kind of August Bank Holiday weekend.
Compared to 2020, 2019 looked quite different, with no pandemic, and Open Days bringing visitors and volunteers through the gates at Hemingfield.
Going for broke, the Friends and regular volunteers decided to try and get another weekend COVID-safe session in at Hemingfield Colliery. Hoping against hope that they would not be blown away or proceedings drowned out before further progress could be made on the rear retaining wall.
Cooler, but no less humid. Cloudy with no chance of downpours. But who trusts the forecasts? The Friends and volunteeers arrived for another COVID-catch-up session; safely-spaced and behind closed-gates to try and make good some of the lost weekends over the past few months that have cast such a long shadow over the country, and worldwide.
Bit warm again. Seeking to keep up the momentum from the last week’s efforts, the Friends and careful band of regular volunteers returned to Hemingfield Colliery once again for another early start to a day of repairs to the rear retaining wall behind the winding engine house. Still gently returning to the site and following COVID-19 secure guidance, the pit was working behind closed gates again for now.
Nothing but blue skies may be an optimistic note to strike in the midst of a global pandemic, but despite the darker clouds, the ups and downs, through the closings, reopenings and re-closings of recent days, the ability to safely distance and volunteer with others, carefully, outdoors, for a common cause – to protect and restore our common heritage – is something to celebrate. Saturday 1st August also had the distinction of being Yorkshire Day – so it was good to see the blue flags flying the white rose against a mostly blue sky.
Indeed, despite the widespread uncertainty and social and economic distress since the crisis began in March, it is heartening to see concrete steps being taken to support culture, the arts and heritage; most recently the announcement of the £88M Culture Recovery Fund for Heritage distributed by the National Lottery Heritage Fund in partnership with Historic England, following criteria from the Department for Culture, Media and Sport. This fund is part of the £1.57 billion rescue package from government to safeguard cultural and heritage organisations across the UK.